| | 1 | Name: | Dr. Hans Belting | | | Institution: | Internationales Forschungszentrum Kulturwissenschaften, Vienna | | | Year Elected: | 2005 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | International | | | Living? : |
Deceased
| | | Birth Date: | 1935 | | | Death Date: | January 10, 2023 | | | | | | |
Hans Belting is perhaps Germany's most creative art historian. In his College Art Association citation he is described as "the most influential scholar of medieval art of his generation," having made "fundamental contributions to the history of Byzantine wall painting and manuscript illumination, Carolingian art in Rome and Gaul, Italian Trecento mural decoration and early Flemish panel painting." His many books are based on a wide spectrum of methods: traditional style and iconographic analysis, reception theory, archaeological and anthropological techniques and the critique of patronage. But he has also contributed powerfully to contemporary theory in the discipline, particularly in The End of the History of Art, and to the history and criticism of contemporary art. Dr. Belting's other published works include Likeness and Presence: A History of the Image Before the Era of Art (1984); The Germans and Their Art: A Troublesome Relationship (1998); The Invisible Masterpiece: The Modern Myths of Art (2001); and Hieronymus Bosch: The Garden of Earthly Delights (2002). Formerly the Mary Jane Crowe Professor at Northwestern University and the director of the Internationales Forschungszentrum Kulturwissenschaften in Vienna, Dr. Belting is a member of the Medieval Academy of America; the American Academy of Arts & Sciences; the Heidelberger Akademie der Wissenschaften; and the Academia Europaea. He received his Ph.D. from Mainz University in 1959. | |
| 2 | Name: | Dr. Margaret Bent | | | Institution: | All Souls College, Oxford | | | Year Elected: | 2013 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | International | | | Living? : |
Living
| | | Birth Date: | 1940 | | | | | | |
Margaret Bent read Music at Cambridge (where she was Organ Scholar at Girton College), gaining the Ph.D. in 1969 with a dissertation on the early fifteenth century Old Hall Manuscript. She taught peripatetically and at Goldsmiths’ College, London, before going to the United States in 1975, holding professorships and departmental chairmanships successively at Brandeis (1975-81) and Princeton Universities (1981-92), when she returned to the U.K. as the first woman Senior Research Fellow at All Souls College, Oxford, of which she is now an Emeritus Fellow.
She is a Fellow of the British Academy, an honorary Fellow of Girton College, and was appointed CBE (Commander of the British Empire) in 2008. She holds honorary doctorates from the universities of Glasgow, Notre Dame and Montréal. Honorific or corresponding memberships or fellowships include the American Musicological Society (of which she was President 1984-6), the American Academy of Arts and Sciences, the Royal Historical Society, Academia Europea , the Society of Antiquaries of London, the Medieval Academy of America, the London University School of Advanced Studies, the Royal Musical Association. Her most recent visiting professorships were at Villa I Tatti, Florence, and the Universities of Chicago, Harvard and Basel, and she serves on a number of editorial boards. In 2019 she shared the Guido Adler Prize of the International Music Association with fellow APS member Lewis Lockwoord, in honor of "scholars who have made an outstanding contribution to musicology."
Apart from a critical edition of Rossini’s opera Il Turco in Italia, her publications range widely over English, French and Italian music of the 14th to 16th centuries, including editions (some joint) of John Dunstaple, Old Hall, English masses, and Johannes Ciconia. A facsimile and study of the 15th-century Veneto manuscript Bologna Q15: The Making and Remaking of a Musical Manuscript (LIM, Lucca, 2008) won the Claude Palisca prize of the AMS. Other books include: Counterpoint, Composition, and Musica Ficta (London and New York: Routledge, 2002); Fauvel Studies: Allegory, Chronicle, Music and Image in Paris, Bibliothèque nationale de France, MS français 146, ed. Margaret Bent and Andrew Wathey (Oxford: Clarendon Press, 1998); Margaret Bent and Robert Klugseder, A Veneto Liber cantus (c. 1440): Fragments in the Bayerische Staatsbibliothek, Munich, and the Österreichische Nationalbibliothek, Vienna (Wiesbaden: Reichert, 2012). Full listing of publications can be accessed at http://www.all-souls.ox.ac.uk/people.php?personid=4 (classified by subject) and http://www.music.ox.ac.uk/index.php?id=844 (chronological).
Known for revisionist and often controversial contributions in several areas of late-medieval music theory and practice, her work has overturned long-held suppositions about manuscript relationships and datings, meanings of notational signs, interpretations of medieval writings, and modern historiographical impositions (notably concepts of isorhythm, chromaticism, diminution). Starting points are nearly always manuscripts, notation, archives, texts, genres (especially motets). She addresses compositional and analytical techniques, counterpoint, musical grammar and rhetoric, the construing and complementing of notations, codicological and stemmatic issues. She has described (and sometimes discovered) manuscript fragments and reconstructed their music, and is currently documenting musical networks in the Veneto.
She co-founded the Digital Image Archive of Medieval Music (http://www.diamm.ac.uk/), continues to lead early music seminars and singing sessions from original notation in facsimile in Oxford, and is a closet pianist, viol player and Wagnerian.
Margaret Bent was elected a member of the American Philosophical Society in 2013. | |
| 3 | Name: | Professor Paul Bernard | | | Institution: | L'Ecole Pratique des Hautes Etudes, Paris | | | Year Elected: | 2001 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | International | | | Living? : |
Deceased
| | | Birth Date: | 1929 | | | Death Date: | December 1, 2015 | | | | | | |
Paul Bernard was a member of the Academy of Inscriptions and Fine Letters (Institute of France, Paris) since 1992. After studies in Paris (Ecole Normale Supérieure, Sorbonne), he received archaeological training at the French School in Athens (1958-1961) and then became a member of the French Institute of Archaeology in Beirut (1961-1965). He quickly specialized in the archaeology and history of Hellenism east of the Mediterranean shores.
In 1965, Professor Bernard became director of the French archaeological mission in Afghanistan and, until 1978, he headed the excavations, by a French team, of a Greek colonial city in Northern Afghanistan at the site, now completely plundered, of Aï Khanum.
Upon his return to France, he taught graduate and postgraduate courses at the Ecole Pratique des Hautes Etudes (Sorbonne) on the history of Hellenism in the Orient. He was an associate member of the Italian Academia dei Lincei and of the Russian Academy of Sciences. He was elected to membership in the American Philosophical Society in 2001. Paul Bernard died December 1, 2015, at the age of 86, in Paris, France. | |
| 4 | Name: | Dr. Claude Cahen | | | Institution: | University of Paris | | | Year Elected: | 1983 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | International | | | Living? : |
Deceased
| | | Birth Date: | 1909 | | | Death Date: | 11/18/91 | | | | |
| 5 | Name: | Professor Halet Çambel | | | Institution: | Istanbul University | | | Year Elected: | 1979 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | International | | | Living? : |
Deceased
| | | Birth Date: | 1916 | | | Death Date: | January 12, 2014 | | | | | | |
An eminent scholar and expert in the archaeology of the Anatolian Peninsula, Halet Çambel was born in Germany in 1916. The daughter of an old and distinguished Ottoman family, she received her Ph.D. from Istanbul University in 1945 and went on to found the chair of prehistoric archaeology at Istanbul University, where she taught and inspired generations of students. Renowned for conducting rescue excavations of endangered heritage sites, Dr. Çambel introduced stone restoration techniques and ensured proper conservation of significant cultural heritage in Turkey. She was instrumental in protecting a village of unique Turkish houses and opened an Art and Culture House where concerts, exhibitions and other cultural activities take place. Halet Çambel's meticulous scholarship, commitment to international collaboration and enthusiasm for innovative research are praised both in Turkey and in the wider international community. Her numerous publications, television programs, documentaries, and the first open-air museum of antiquities at the Karatepe-Aslanta site are among her contributions to knowledge of and accessibility to the civilizations and historical riches of Turkey. Among Dr. Çambel's many awards is the Prince Claus Award honoring her dedicated scholarship and her role in expanding the possibilities for interaction between people and their cultural heritage. Halet Çambel died January 12, 2014, at the age of 97 at her home in Instanbul. | |
| 6 | Name: | Dr. Katharine Ellis | | | Institution: | University of Cambridge | | | Year Elected: | 2017 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | International | | | Living? : |
Living
| | | Birth Date: | 1963 | | | | | | |
Katharine Ellis is best known for her pioneering work on the cultural history of music in France during the long nineteenth century. Her research straddles musicology, history and French studies, and covers musical repertoires ranging from medieval plainchant to 20th-century modernism. She seeks to explain the cultural import of musical tastes and practices, while also asking how those in the art-worlds of music negotiated France’s complex aesthetic, social and regulatory frameworks. In journal articles and book chapters she has published widely on the history of music and education, on women's musical careers, on opera and its institutions, on Paris−province relations, and on musical fiction. Her monographs embrace reception history and canon-formation via the historical press (Music Criticism in Nineteenth-Century France, 1995), the early music revival (Interpreting the Musical Past, 2005), and the tangled web of Benedictine musical politics and Church/State relations around 1900 (The Politics of Plainchant in fin-de-siècle France, 2013). Two co-edited collections address the pan-European career of Hector Berlioz (The Musical Voyager, 2008) and text/music relations in the long nineteenth century (Words & Notes, 2013). After degrees in Music at Oxford, a Junior Research Fellowship in French Studies at St Anne’s College, Oxford, lectureships at the Open University and Royal Holloway University of London, and chairs at the Universities of London and Bristol, Katharine Ellis is 1684 Professor at the Faculty of Music in Cambridge. She has acted as joint and solo editor for Music & Letters and the Journal of the Royal Musical Association respectively, and has been a joint guest editor of Dix-neuf. She currently sits on several editorial boards in France and the UK, and is a series editor for Boydell & Brewer’s ‘Music in Society and Culture’ monographs. She co-directs the Francophone Music Criticism 1789-1914 international network www.fmc.ac.uk, was inaugural Director of the Institute of Musical Research at the University of London’s School of Advanced Study (2006-2009), and was recently (2017) elected as a Director-at-Large of the American Musicological Society. She has received major funding awards from the Arts and Humanities Research Council of the UK, the British Academy, and the Leverhulme Foundation. She was elected to the Academia Europaea in 2010 and became a Fellow of the British Academy in 2013. | |
| 7 | Name: | Professor Dr. Monika Fludernik | | | Institution: | Albert Ludwigs University of Freiburg | | | Year Elected: | 2023 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | International | | | Living? : |
Living
| | | Birth Date: | 1957 | | | | | | |
Monika Fludernik is Professor of English Literature at the University of Frei-burg/Germany (Albert-Ludwigs-Universität Freiburg im Breisgau). She is an Austrian citizen. Fludernik studied English, Indo-European Philology, History and Mathematics at the University of Graz. She was a student of F. K. Stanzel the narratologist, who supervised her doctoral dissertation on "Narrators' and Characters' Voices in James Joyce's Ulysses" (1982). From 1984 to 1993, she was assistant professor in the De-partment of English and American Studies at the University of Vienna. Her habilitation book dealt with free indirect discourse and speech and thought representation in Eng-lish literature and conversational narratives, later published as The Fictions of Lan-guage and the Languages of Fiction (1993). Fludernik then moved to Freiburg with a Humboldt Fellowship and was appointed Professor of English Literature in Freiburg in 1994.
Fludernik is one of the leading narratologists world-wide. Her work is particularly noteworthy for its diachronic range (she covers English-language narrative from the Middle Ages to postcolonial literature), its interdisciplinarity (she was one of the first narratologists to focus on cognitive issues) and its linguistic methodology (see her analyses of conversational narratives and her studies of tense and syntax in narrative texts as well as her work on second-person narrative and we narration). Fludernik teaches English literature of all periods and genres. She has established herself not only as a narratologist but has also produced significant research in the areas of post-colonial studies, eighteenth-century aesthetics and law-and-literature studies.
Fludernik is the author of several monographs and over thirty edited volumes and special journal issues. She is particularly well-known for her seminal Towards a 'Nat-ural' Narratology (1996), which won the Perkins Prize of the Narrative Society, and her recent Metaphors of Confinement: The Prison in Fact, Fiction and Fantasy (2019). Among her edited volumes, the following have been particularly well received: Hy-bridity and Postcolonialism (1998); Diaspora and Multiculturalism (2003); In the Grip of the Law (with Greta Olson, 2004); Postclassical Narratology (with Jan Alber, 2010); Beyond Cognitive Metaphor Theory (2011); Idleness, Indolence and Leisure in British Literature (with Miriam Nandi, 2014); Narrative Factuality: A Handbook (with Marie-Laure Ryan, 2019); and Being Untruthful: Lying, Fiction, and the Non-Factual (2021). Fludernik has been the director of a Collaborative Research Cluster (Sonder-forschungsbereich) on identities and alterities (SFB 541), of a graduate school on Factual and Fictional Narration (GRK 1767), and was a board member of the CRC/SFB 1015 that focused on the study of otium (Muße). She is currently directing a project on "Diachronic Narratology", funded by the German Research Foundation's Reinhart-Koselleck grant programme. From 1997-2006 Fludernik was the president of IALS (International Association of Literary Semantics). She has received several priz-es and fellowships and is a member of both the Austrian Academy of Sciences as well as the Academia Europaea. | |
| 8 | Name: | Dr. Gilberto deMello Freyre | | | Year Elected: | 1962 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | International | | | Living? : |
Deceased
| | | Birth Date: | 1900 | | | Death Date: | 7/18/87 | | | | |
| 9 | Name: | Dr. Deborah Howard | | | Institution: | St. John's College, University of Cambridge | | | Year Elected: | 2021 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | International | | | Living? : |
Living
| | | Birth Date: | 1947 | | | | | | |
Deborah Howard is Professor Emerita of Architectural History at the University of Cambridge, where she is a Fellow of St John’s College. A graduate of Cambridge University (Newnham College, 1964-68, first class honours), she did her postgraduate studies at the Courtauld Institute of Art, University of London (MA with distinction 1969; PhD 1973). After a research Fellowship at Clare Hall, Cambridge, she taught at University College London, the University of Edinburgh and the Courtauld Institute, before returning to the University of Cambridge in 1992. She was appointed to a Personal Chair in Architectural History in 2001 and served as Head of the Department of History of Art for six years (2002-9, with sabbatical break) before retiring in 2013. On her retirement, her contribution was recognised by two Festschrift volumes, edited by Nebahat Avcıoǧlu, Emma Jones and Allison Sherman (2016-2018). She has an honorary doctorate from University College Dublin (2014).
In 2010 Howard was elected a Fellow of the British Academy. She is also a Fellow of the Society of Antiquaries, Fellow of the Society of Antiquaries of Scotland, Honorary Fellow of the Royal Incorporation of Architects of Scotland and Fellow of the Royal Society of Edinburgh.
She has held visiting appointments at Yale (summer Term program in London), Harvard (Aga Khan program and the Villa I Tatti), the National Gallery of Art in Washington DC, Smith College, Princeton, and the Universities of Melbourne and Queensland.
Among her many committee memberships she served on two Royal Commissions in Scotland between 1987 and 1999 and was Chairman of the Society of Architectural Historians of Great Britain from 1997 to 1999. She was a Trustee of British Architecture Library Trust (2001-10) and a non-executive Director of the British Architectural Trust Board (2011- 16). Since 2011 she has been a board member of the Centro di Studi di Architettura ‘Andrea Palladio’ in Vicenza. She is a Trustee of Venice in Peril, and was elected an Honorary Patron Member of the Society of Architectural Historians of GB in 2020.
Her principal research interests are the art and architecture of Venice and the Veneto; music and architecture in the Renaissance; and the relationship between Italy and the Eastern Mediterranean. In 2005 she established the Centre for Architectural and Musical Experiments in Renaissance Architecture (CAMERA) at Cambridge, supported by grants from the Arts and Humanities Research Council, the British Academy and the Gladys Krieble Delmas Foundation. She was one of the leaders of a major four-year ERC-funded research project entitled Domestic Devotions: The Place of Piety in the Italian Renaissance home 1400-1600 (2013-7). She has recently completed a research project funded by the Leverhulme Trust on the proto-industrial architecture of the Veneto.
Her monographs include Venice Disputed: Marc’Antonio Barbaro and Venetian Architecture 1550-1600 (Yale UP, 2011); Venice and the East: the Impact of the Islamic World on Venetian Architecture 1100-1500 (Yale UP, 2000); Scottish Architecture from the Reformation to the Restoration 1560 - 1660 (Edinburgh UP, 1995); The Architectural History of Venice (rev. edn. Yale UP, 2002, 1st edn. Batsford 1980); Jacopo Sansovino: Architecture and Patronage in Renaissance Venice (Yale University Press, 1975; rev. 1987). She is the joint author, with Mary Laven and Abigail Brundin, of The Sacred Home in Renaissance Italy (Oxford UP, 2018). With Laura Moretti she co-authored Sound and space in Renaissance Venice: Architecture, Music, Acoustics (Yale UP, 2009).
2011.
She particularly enjoys collaborative projects that give opportunities to younger scholars, usually resulting in co-edited books. Among these are La Chiesa di San Giacomo dall’Orio, Venezia (ed. with Isabella Cecchini and Massimo Bisson, Viella, 2018); Madonnas and Miracles: The Holy Home in Renaissance Italy (ed. with Maya Corry and Mary Laven, exh. cat., Fitzwilliam Museum, Cambridge 2017); The Image of Venice: Fialetti’s View and Sir Henry Wotton (ed. with Henrietta McBurney, London 2014); Santa Maria Gloriosa dei Frari: Immagini di Devozione, Spazi della Fede (ed. with Carlo Corsato, Padua 2015); Architecture and Pilgrimage 1000-1500: Southern Europe and Beyond (ed. with Paul Davies and Wendy Pullan, Ashgate Press, 2013); and The Music Room in Early Modern France and Italy: Sound, Space and Object (ed. with Laura Moretti, Oxford UP, 2012). | |
| 10 | Name: | Dr. Marie-Therese d'Alverny | | | Year Elected: | 1974 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | International | | | Living? : |
Deceased
| | | Birth Date: | 1903 | | | Death Date: | 4/26/91 | | | | |
| 11 | Name: | Mr. Russell Meiggs | | | Year Elected: | 1981 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | International | | | Living? : |
Deceased
| | | Birth Date: | 1902 | | | Death Date: | 6/24/89 | | | | |
| 12 | Name: | Dr. Lorenzo Minio-Paluello | | | Year Elected: | 1971 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | International | | | Living? : |
Deceased
| | | Birth Date: | 1907 | | | Death Date: | 5/6/86 | | | | |
| 13 | Name: | Dr. Arnaldo D. Momigliano | | | Year Elected: | 1969 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | International | | | Living? : |
Deceased
| | | Birth Date: | 1908 | | | Death Date: | 9/1/87 | | | | |
| 14 | Name: | Mr. Jean J. F. Perrot | | | Institution: | Centre National de la Recherche Scientifique (CNRS) | | | Year Elected: | 1991 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | International | | | Living? : |
Deceased
| | | Birth Date: | 1920 | | | Death Date: | December 24, 2012 | | | | | | |
One of the world's great archaeologists, Jean J.F. Perrot directed French archaeological missions throughout Iran, Palestine and southwestern Asia during his distinguished career. Among his many accomplishments, Perrot pioneered the recovery and interpretation of background evidence concerning the appearance of a food-producing way of life in southwestern Asia 10,000 years ago, and his brilliant excavations at the open air settlement of Mallaha in northern Israel in effect brought the early Natufians out of caves and into the beginning of village life. His career was interrupted for a period when he was asked to take over work at the great site of Susa in Iran, but Perrot would later happily return to the Levant to continue his work there. Given his wide familiarity with much of the early Near East, Jean J.F. Perrot is held in high esteem for his thoughtful and informed cultural-historical interpretations. He joined the Centre National de la Recherche Scientifique (CNRS) in 1946 and later became its director. He was Directeur de recherche honoraire at CNRS at the time of his death on December 26, 2012, at the age of 92. | |
| 15 | Name: | Dr. Pierre Rosenberg | | | Institution: | Musée du Louvre | | | Year Elected: | 1997 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | International | | | Living? : |
Living
| | | Birth Date: | 1936 | | | | | | |
After a distinguished career in a series of posts as conservateur at the Louvre Museum as well as Inspector General of France's museums, Pierre Rosenberg became President and Director of the Louvre in 1994. By then he had acquired international prestige as a specialist in French painting and drawing of the 17th and 18th centuries. Among his many books, works on Poussin, Chardin, and Fragonard have become classics in the field. He is the author of catalogues of the drawings of important painters such as Poussin, Watteau and David, as well as of public and private collections of art. He has participated in colloquia, congresses, and round tables throughout the world. He was a member of the Institute for Advanced Study (Princeton) in 1977 and has been chairman of the French Committee on the History of Art. Dr. Rosenberg has been widely recognized for his achievements in art history, conservation, curatorship, and administration. He was elected to the American Academy of Arts & Sciences in 1990, to the Italian Accademia Nazionale dei Lincei in 1995, and to the American Philosophical Society in 1997. In 1995 he joined the ranks of the "immortals" of France when he was elected to the Académie française. He is an Officier of the French Légion d'honneur. In 2001 he retired as President and Director of the Louvre. | |
| 16 | Name: | Dr. Salvatore Settis | | | Institution: | Scuola Normale Superiore | | | Year Elected: | 2012 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | International | | | Living? : |
Living
| | | Birth Date: | 1941 | | | | | | |
Salvatore Settis has been Director of the Getty Research Institute, Los Angeles (1994-1999) and of the Scuola Normale Superiore di Pisa (1999-2010), where he also taught Classical Archaeology and Art History. He has been Visiting Professor in several universities; moreover, he delivered the Isaia Berlin Lectures at the Ashmolean Museum in Oxford, the Mellon Lectures at the National Gallery of Art in Washington DC, and the Lectures of the Catedra del Museo del Prado in Madrid. He is a member of the American Academy of Arts and Sciences, of the Accademia Nazionale dei Lincei, Rome, of the Institut de France, of the Istituto Veneto, and of the Academies of Sciences in Berlin, Munich, Brussells, and Turin.
His research interests include ancient and Renaissance art history. Among his books: Saggio sull'Afrodite Urania di Fidia , Pisa 1966; La «Tempesta» interpretata. Giorgione, i committenti, il soggetto , Turin 1978 [English: Giorgione's Tempest. Interpreting the Hidden Subject , Cambridge 1990] ; La Colonna Traiana , Turin 1988; Laocoonte. Fama e stile , Rome 1999; Italia S.p.A. L’assalto al patrimonio culturale , Turin 2002; Futuro del Classico, Turin 2004 [English: The Future of the Classical, Oxford 2006]; Battaglie senza eroi. I beni culturali fra istituzioni e profitto, Milan 2005; Artisti e committenti fra Quattro e Cinquecento, Turin 2010; Paesaggio Costituzione cemento. La battaglia per l’ambiente contro il degrado civile, Turin 2011. He was editor of Memoria dell'Antico nell'arte italiana, vols. 1-3, Turin 1984-86, of I Greci. Storia, arte, cultura, società, vols. 1-6, Turin 1995-2002, and of The Classical Tradition , Harvard University Press 2010 (with A. Grafton and G. W. Most), and is the general editor of the series Mirabilia Italiae.
For his interest in the preservation of landscape and cultural heritage, he has been Chair of Italy’s High Council for Cultural Heritage and Landscape (“Consiglio Superiore dei Beni Culturali e Paesaggistici”) and was awarded two honorary degrees in Law, by the universities of Padua (2007) and Rome-Tor Vergata (2008). | |
| 17 | Name: | Professor Erika Simon | | | Institution: | University of Würzburg | | | Year Elected: | 2002 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | International | | | Living? : |
Deceased
| | | Birth Date: | 1927 | | | Death Date: | February 15, 2019 | | | | | | |
Erika Simon was born in Ludwigshafen (then in the suburb Rheingönheim), and from 1930 she lived in Aschaffenburg/Main (not far from Frankfurt) where she attended high school. Then from 1947 on she was a student at Heidelberg University and Munich University. From 1953-59 she was an assistant at Mainz University, and from 1959-63 she was a Docent at Heidelberg University. She had a visiting position from 1961-62 at the Institute for Advanced Study in Princeton. From 1964-94 she was Professor of Classical Archaeology at Würzburg University and Director of the Antiquities in Martin-von-Wagner Museum. She has been professor emerita since 1994. Dr. Simon is the author of Die Götter der Griechen (1969); Das antike Theater (1972); Pergamon und Hesiod (1975); Festivals of Attica, An Archaeological Commentary (1983); Die konstantinischen Deckengemälde in Trier (1986); Die Götter der Römer (1990); and Ausgewahlte Schriften I/II (1998). She is a member of the German Archaeological Institute and has honorary doctorates at Athens and Thessaloniki Universities. | |
| 18 | Name: | Sir Ronald Syme | | | Institution: | University of Oxford | | | Year Elected: | 1959 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | International | | | Living? : |
Deceased
| | | Birth Date: | 1903 | | | Death Date: | 9/4/89 | | | | |
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